Fabrizio Ulivieri - TrendSetter

  Camminavi leggera e venivi La strada davanti a te aprivi Eri un mistero e di poesia vestivi. --------------- La poesia può essere vissuta come fondamento. Ma quale fondamento? Il fondamento di trovarci in quel punto in cui ci confrontiamo con l’Eccesso, che conferisce senso alla poesia. Telegram: De Unamuno Whatsapp: De Unamuno Facebook: De Unamuno Academia:   https://independent.academia.edu/fulivieri 

  Poetry can be experienced as ground. But what kind of ground? The ground for our finding ourselves at that point where we are confronted with Excess, which gives poetry its meaning. ----------------- Telegram: De Unamuno Whatsapp: De Unamuno Facebook: De Unamuno Academia:   https://independent.academia.edu/fulivieri 

  Das Gedicht lässt sich als Grund erfahren. Aber welcher Grund? Der Grund dafür, dass wir uns an jenem Punkt befinden, an dem wir mit dem Exzess konfrontiert sind, der der Poesie Sinn verleiht. ----------------- Telegram: De Unamuno Whatsapp: De Unamuno Facebook: De Unamuno Academia:   https://independent.academia.edu/fulivieri 

  When we say that the invisible is stronger than the visible, and that the visible emerges from the invisible through proximity and coming together, we need an example. The best example is found in the Muṇḍaka Upaniṣad 2.1: yathā sudīptāt pāvakād visphuliṅgāḥ sahasraśaḥ prabhavante sarūpāḥ | tathākṣarād vividhāḥ bhāvāḥ Just as thousands of sparks, all of exactly the same form, leap forth from a blazing fire, thus beings of various forms arise from the Imperishable [Logos = Excess = God]. And this is precisely how nature likes to express itself. ----------------- Telegram: De Unamuno Whatsapp: De Unamuno Facebook: De Unamuno Academia:   https://independent.academia.edu/fulivieri 

  Kai sakome, kad nematomas yra stipresnis už matomą ir kad iš nematomo tampa matomas dėl artumo ir suartėjimo, mums reikia pavyzdžio. Geriausias pavyzdys pateiktas Mundaka Upanišadoje 2.1: yathā sudīptāt pāvakād visphuliṅgāḥ sahasraśaḥ prabhavante sarūpāḥ | tathākṣarād vividhāḥ bhāvāḥ "Lygiai taip, kaip iš liepsnojančios ugnies iššoka tūkstančiai visiškai vienodos formos kibirkščių, taip ir įvairių pavidalų būtybės kyla iš Nekintamojo [Logoso = Pertekliaus = Dievo]" Ir būtent taip prigimtis mėgsta reikštis. ----------------- Telegram: De Unamuno Whatsapp: De Unamuno Facebook: De Unamuno Academia:   https://independent.academia.edu/fulivieri 

  Mi chiedo ora perché aiutare Voglia gli ultimi di questa terra, Gli ultimi che ancora ho da amare. Perché mi ostino in questa guerra E a me stesso finalmente capire Che non permetta a quanto m'afferra Mi tenga al passato senza finire. Hai fatto tutto quello che potevi. Che altro devi? Smetti il patire. Ma il sangue che da subito avevi Non ti lascia andare. È un demone, L'unica ragione cui ancora credi. ----------------- Telegram: De Unamuno Whatsapp: De Unamuno Facebook: De Unamuno Academia:   https://independent.academia.edu/fulivieri 

  Poetry transcends prose. Prose offers examples, develops ideas, explains. Poetry delves into the depths, captures the light, captures the moment, captures the connection.  As Heidegger says (and I invoke him o btorto collo ), it prepares the space in which the divine comes to pass in the word. As the Book of Job bears witness, the central idea of poetry is the human being. That of philosophy is structure and system. Poetry prepares the ground for the coming of the Excess (God, who inspires our lives) - the One who watches us attentively in our endless struggle against evil. Poetry “ reveals to us the profound and painful drama of human nature, which Dostoevsky expressed through the words of Dmitri Karamazov: ‘God and the devil are fighting in the human heart. ” (Antanas Maceina, The Book of Job ) Poetry is an attempt to redeem the human being from this drama of his - every human being, whether they believe in God or not. ----------------- Telegram: De Unamuno Whatsapp: De Un...