Fabrizio Ulivieri - TrendSetter

I would compare my writing method with that of a scientist who studies the quantum world. Who tries to investigate the visible reality, the Newtonian one, starting from the invisible one - the quantum one – because he knows that if he can explain the Newtonian reality by using the quantum one, if he can find the meeting point between the two realities, he will be able to explain better, to understand in depth the correlations between those two realities. I started doing this work in 2007 when I published, "Albert Richter, an eagle among swastikas". In that book, the German cycling between the two wars, I tried to identify how Nazism had influenced cycling, and sport in general, and had changed it. And how Nazism actually depended on esoteric influences. In "The Smile of the Harlot", a 2011 book of mine, I tried instead to analyze the modalities globalism (the financial elites) imposes a reality of crisis on people, with the subliminal aim to educate the...

Foto by Živile Abrutytė When I wrote " Rugíle " I thought I had written a book about the human condition and existence. An Existentialist book. But the novel has been misunderstood. It was read more like a book about sex, pure sex, a parallel projection of "Fifty shades of grey" ( ready to challenge the famous Fifty Shades of Grey ) When this projection started I found it useful in sales key terms. And it helped indeed to sell the book but that has led to misunderstand the real message of "Rugíle". Sex is creativity. Instinct. Something that is beyond any understanding. Sex is not consciousness. Sex is not rationality. It is instinct and irrationality, as creativity. Both sex and creativity are not conscious intellectual life but somehow encoded, encrypted bit of information that our mind (consciousness) can not control. Both elude our consciousness. In "Rugíle" I tried to analyse the reasons that stay behind this instinct....