The most profound description of the Heraclitean Logos

This is perhaps the most profound description of the Heraclitean Logos:

अनिरोधमनुत्पादमनुच्छेदमशाश्वतम्।
अनेकार्थमनानार्थमनागममनिर्गमम्॥

anirodham anutpādam anucchedam aśāśvatam
anekārtham anānārtham anāgamam anirgamaṁ

(Nāgārjuna, Mūlamadhyamakakārikā 1.1)

अशाश्वतम् (aśāśvatam) — “not eternal”: not because it is merely temporal, but because it makes itself intelligible through its presence within human time.

Neither perishing nor arising in time;
neither terminable nor eternal;
neither self-identical nor changing in form;
neither coming nor going.
(Sprung’s translation)

It is nothing more than a σύλληψις - a seizing, grasping, or apprehension - which not everyone can develop into genuine knowledge.

Within this σύλληψις, the Logos is always turned towards individuals; yet only some individuals are turned towards the Logos.

Comments

Similarities between Lithuanian, Sanskrit and Ancient Greek: the sigmatic future

by Fabrizio Ulivieri Lithuanian is the most archaic among all the Indo-European languages spoken today, and as a result it is very useful, indeed, indispensable in the study of Indo-European linguistics. The most important fact is that Lithuanian is not only very archaic, but still very much alive, i. e., it is spoken by about three and a half million people. It has a rich tradition in folklore, in literature, and it is used very successfully in all walks of modern life, including the most advanced scientific research. Forced by our interest for this piece of living archaism, we go deeper in our linguistic survey. One of the most noticeable similarities is the future (- sigmatic future -). Lithuanian has preserved a future tense from prehistoric times: it has one single form, e.g. kalbė-siu 'I will speak', etc. kalbė-si kalbė-s kalbė-sime kalbė-site kalbė-s This form kalbėsiu is made from the stem kalbė-(ti) 'to speak', plus the ancient stem-end...

Yellow moons

Yellow moons at nighttime, Beyond the windows loom Stretch along and rise to bloom Flooding streets and singing rhyme. Downtown trains are full tonight. White pale girls try hard Their world shy discard Cross pale and dull the light. Like crows wave hands Uneasy scatter and chat around Watch the light now profound. But proudly keep their stands. Nothing captures their heart. Like thorns they are - without a rose. Oh, if I were the one they choose I would span silent the dark. I know that window, I know it's late I know the stairs and the doorway I stand by the light at the four-way I walk down past the gate and wait. Will I see her eyes tonight? From a downtown train A girl among many faces, insane Will I catch her slight dim sight? Oh my dreams, if she falls away, Am I going alone nowhere? Following the moon's glare I lonely wait - watch the train stay. -------------- PS. " Downtown Train" is one of my favourite songs. Tom Waits’ voice, or Rod Stewart’s voice sing...

Poetry dwells near the divine light's breath

The comparison between poetry and divine light that we have proposed HERE finds its perfect explanation in Saint Paul, Epistle to the Romans 1:19: τ ὸ γνωστὸν τοῦ θεοῦ φανερόν ἐστιν ἐν αὐτοῖς, ὁ θεὸς γὰρ αὐτοῖς ἐφανέρωσεν — “that which may be known of God has been made manifest in them (in men), for God has manifested it unto them”. Poetry unveils within the human being the need to be human, that is, the need for Beauty, the need to feel Beauty within oneself and alongside oneself; and this feeling is sustained by divine light. Since we are influenced by the Augustinian idea of saeculum , we hold that poetry belongs to the saeculum and therefore comes to a halt upon the threshold of divine light [I] without crossing it, though perceiving the light that lies beyond that threshold. We are led to that threshold by the human feeling of Beauty that dwells within us and guides us to that point: to that door which cannot be crossed in our human condition. And yet, the mere act of stan...

Fabrizio Ulivieri - TrendSetter

Search This Blog