Skip to main content

The Little Book of the Dead - Surreal Sundays





When I think of Brunero, it makes me think of how life can suddenly change. And how Brunero’s life seemed unchangeable - forged of stainless steel.

He spoke with a strong, powerful voice, loud enough to be heard everywhere, even fifty meters down the street, reaching my parents’ apartment on the fifth floor, where he would come every other Sunday to visit them.

He filled the air with his voice, and around him was a vibrant, surreal world. Surreal Sundays when his voice rescued me. The sound of his voice was my rescuer on those Sundays of deep desperation. It made me believe that Man is real. That Man has a reason in this world to transcend himself, because he is in control of his life. He - is his life.

But one night, returning home, he tripped and fell - and that small, insignificant accident terminated Brunero’s story in this world. 
He fell into the hands of doctors, who uncovered another hidden problem, one he had perhaps carried all his life and lived well. 
They induced him to follow their path: the noxious path of doctors, a path of pain and ordeal, a cross too heavy for him to bear.

And so he ended in a bed - his shroud. In the scorching heat of summer, bony as a stray dog, naked as a worm, his life expired there. 
And his voice faded away too.

Oh voice! Am I the last bearer of your sound? 
Oh my Sunday’s Saviour, you still abide in me!





Comments

Popular posts from this blog

Poetry dwells near the divine light's breath

  The comparison between poetry and divine light that we proposed HERE finds its perfect explanation in Saint Paul, Letters to the Romans I,19: τὸ γνωστὸν τοῦ θεοῦ φανερόν ἐστιν ἐν αὐτοῖς, ὁ ⸂θεὸς γὰρ αὐτοῖς ἐφανέρωσεν , what can be known of God was manifested to them (in men), indeed God manifested to them. Poetry unveils in the human being the need to be human, i.e.the need for Beauty, for feeling the Beauty in itself and with itself, and this feeling is supported by the divine light. As we are influenced by the idea of Saint Augustine of saeculum , we maintain that poetry belongs to the saeculum and therefore stops on the threshold of the divine light [ I] without crossing that threshold, but it senses the light beyond that threshold. We are taken to that threshold by the human feeling of Beauty within us that leads us up to there: up to that door that it is not possible to cross in our being human, but nevertheless, the very dwelling on that threshold is illuminated by the ve...

Similarities between Lithuanian, Sanskrit and Ancient Greek: the sigmatic future

by Fabrizio Ulivieri Lithuanian is the most archaic among all the Indo-European languages spoken today, and as a result it is very useful, indeed, indispensable in the study of Indo-European linguistics. The most important fact is that Lithuanian is not only very archaic, but still very much alive, i. e., it is spoken by about three and a half million people. It has a rich tradition in folklore, in literature, and it is used very successfully in all walks of modern life, including the most advanced scientific research. Forced by our interest for this piece of living archaism, we go deeper in our linguistic survey. One of the most noticeable similarities is the future (- sigmatic future -). Lithuanian has preserved a future tense from prehistoric times: it has one single form, e.g. kalbė-siu 'I will speak', etc. kalbė-si kalbė-s kalbė-sime kalbė-site kalbė-s This form kalbėsiu is made from the stem kalbė-(ti) 'to speak', plus the ancient stem-end...

My world before and after the so-called Pandemic

  Prior to the so-called pandemic, the world was different. I was different.  One of my greatest moments of pleasure was visiting unknown cities, lost in the unknown, following an unknown flux of life surrounded by unknown streets and people.  I felt invisible. No one knew me, and I knew no one. That gave me a strong sense of pleasure. The pleasure of doing things you usually avoid in places where everyday life, routine, and the fear of showing yourself in a way people are not accustomed to expecting from you. I am not sure what I was looking for in doing this. I remember I felt pushed to search for the essence of that world, as I could physically taste that essence. I was looking for an aura of mystery which could rescue me from my nothingness (I called it nothingness, but now I should call it stupidity—because now I realize what an idiot I was). I hoped for goodness from the world, I hoped for a magic of life, I hoped for an encounter which would be my Saviour, the Savi...