Skip to main content

Ne fiat ut sit - Prima riflessione sull'atto di abbandono

 

                           
                   
             ...or da’ trastulli prendi riposo...


Arriva un punto, che mai avresti pensato. Un punto che va oltre quello che pensavi. in cui muore il fare e ci si abbandona.

Quando la tua volontà viene meno e accetti che non ti sia più da guida. Ma ti affidi ad altro, ti affidi a quella mano che ti spingeva quasi contro i tuoi desideri, contro le tue paure. Ti affidi ai segni che finora cervavi di interpretare e ora lasci che siano. Che siano quello che sono e chiedono.

E' come non soffrire più della sindrome del dì festivo, in cui soffri e senti fieramente la stretta al cuore per lo spaesamento di quel giorno, in cui l'azione cessa e quasi è imposto il riposo a chi riposare non vorrebbe. E allora, in quel distacco dal prima, non cerchi più la tua gloria ma ti abbandoni in quella gloria che cercavi e ora non cerchi più. La lasci fare. La lasci essere ciò che è al di là di te. Oltre te. Oltre le tue possibilità di gloria perché conosci e sai che quella gloria non è più in tua potestà.

E divieni flessibile, e non ti irrigidisci più nei tuoi punti di vista che a nulla portano se non ad aumentare il dolore e perdere di vista il tuo liki̇̀mas [1].

Comments

Popular posts from this blog

Poetry dwells near the divine light's breath

  The comparison between poetry and divine light that we have proposed HERE finds its perfect explanation in Saint Paul, Epistle to the Romans 1:19: τ ὸ γνωστὸν τοῦ θεοῦ φανερόν ἐστιν ἐν αὐτοῖς, ὁ θεὸς γὰρ αὐτοῖς ἐφανέρωσεν — “that which may be known of God has been made manifest in them (in men), for God has manifested it unto them”. Poetry unveils within the human being the need to be human, that is, the need for Beauty, the need to feel Beauty within oneself and alongside oneself; and this feeling is sustained by divine light. Since we are influenced by the Augustinian idea of saeculum , we hold that poetry belongs to the saeculum and therefore comes to a halt upon the threshold of divine light [I] without crossing it, though perceiving the light that lies beyond that threshold. We are led to that threshold by the human feeling of Beauty that dwells within us and guides us to that point: to that door which cannot be crossed in our human condition. And yet, the mere act of stan...

Similarities between Lithuanian, Sanskrit and Ancient Greek: the sigmatic future

by Fabrizio Ulivieri Lithuanian is the most archaic among all the Indo-European languages spoken today, and as a result it is very useful, indeed, indispensable in the study of Indo-European linguistics. The most important fact is that Lithuanian is not only very archaic, but still very much alive, i. e., it is spoken by about three and a half million people. It has a rich tradition in folklore, in literature, and it is used very successfully in all walks of modern life, including the most advanced scientific research. Forced by our interest for this piece of living archaism, we go deeper in our linguistic survey. One of the most noticeable similarities is the future (- sigmatic future -). Lithuanian has preserved a future tense from prehistoric times: it has one single form, e.g. kalbė-siu 'I will speak', etc. kalbė-si kalbė-s kalbė-sime kalbė-site kalbė-s This form kalbėsiu is made from the stem kalbė-(ti) 'to speak', plus the ancient stem-end...

Lietuviško skausmo kultūra

  Gyvenu Lietuvoje jau keletą metų. Vertinu daug dalykų Lietuvoje. Ypač įdomūs man pasirodė žmonės. Mano nuomone, tai žmonės - ypač kilę iš kaimo vietovių, kurie sudaro daugumą - giliai įsišakniję skausmo kultūroje. Čia dalinuosi savo pastebėjimais, kurie gali būti neteisingi. Jei mano pastebėjimai neteisingi, prašau juos laikyti išoriniais — užsieniečio iš kitos kultūros žvilgsnio pastebėjimais Pagarba kitam paprastai matuojama laisve : „Kiek toli galiu peržengti savo laisvę, netapdamas problema kitam?“  Lietuvoje šis matas tampa kitu klausimu: „Kiek toli galiu peržengti savo skausmo slenkstį, kad mano skausmas netaptų problema kitam?“ Lietuviška kultūra yra giliai panirusi į skausmo viziją. Taip nutiko dėl daugelio priežasčių, tačiau svarbiausia, mano akimis, yra viena: lietuvis žmogus yra užsidaręs savyje - izoliuota, uždara ir beveik neįveikiama monada. Lietuvis žmogus turi savo tapatybę, bet ją visada sieja su dominuojančia viešąja mintimi. Jis eina savo keliu, bet visada...