Vivo una realtà aumentata

Io sono disturbato
vivo di giorno divorato
da una segreta ansietà
ingravescente - che va con l' età.

Mi nauseano i fetori
gravi nei loro odori.
Chiudo gli occhi per non vedere
e nell'ombra intima - cerco di tacere.

Cammino per la strada
che sale incomoda:
non vedo donne e non vedo uomini.
In quel buio interiore vedo solo limini,
che aprono a corrotti intestini.
dove palpitano segreti i destini.

Io sono disturbato - vivo di continuo assalito.
Vivo un infinito appetito,
cresciuto da sete interiore - di voci.
Soffro e non le chiedo - ma giuro - sono atroci.

Non so da dove vengono.
Non guardo né davanti né di lato,
guardo per terra - mi distorcono
senza avvertimento - come maleodorante fiato.

Sono stanco di giudicare
di odiare e disprezzare.
Io non vivo - chiedo pace.
Invoco aiuto - ma tutto tace.

E so - vivo una realtà aumentata
e con arte dannata - alimentata.

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Similarities between Lithuanian, Sanskrit and Ancient Greek: the sigmatic future

by Fabrizio Ulivieri Lithuanian is the most archaic among all the Indo-European languages spoken today, and as a result it is very useful, indeed, indispensable in the study of Indo-European linguistics. The most important fact is that Lithuanian is not only very archaic, but still very much alive, i. e., it is spoken by about three and a half million people. It has a rich tradition in folklore, in literature, and it is used very successfully in all walks of modern life, including the most advanced scientific research. Forced by our interest for this piece of living archaism, we go deeper in our linguistic survey. One of the most noticeable similarities is the future (- sigmatic future -). Lithuanian has preserved a future tense from prehistoric times: it has one single form, e.g. kalbė-siu 'I will speak', etc. kalbė-si kalbė-s kalbė-sime kalbė-site kalbė-s This form kalbėsiu is made from the stem kalbė-(ti) 'to speak', plus the ancient stem-end...

Poetry dwells near the divine light's breath

The comparison between poetry and divine light that we have proposed HERE finds its perfect explanation in Saint Paul, Epistle to the Romans 1:19: τ ὸ γνωστὸν τοῦ θεοῦ φανερόν ἐστιν ἐν αὐτοῖς, ὁ θεὸς γὰρ αὐτοῖς ἐφανέρωσεν — “that which may be known of God has been made manifest in them (in men), for God has manifested it unto them”. Poetry unveils within the human being the need to be human, that is, the need for Beauty, the need to feel Beauty within oneself and alongside oneself; and this feeling is sustained by divine light. Since we are influenced by the Augustinian idea of saeculum , we hold that poetry belongs to the saeculum and therefore comes to a halt upon the threshold of divine light [I] without crossing it, though perceiving the light that lies beyond that threshold. We are led to that threshold by the human feeling of Beauty that dwells within us and guides us to that point: to that door which cannot be crossed in our human condition. And yet, the mere act of stan...

Lietuviško skausmo kultūra

Gyvenu Lietuvoje jau keletą metų. Vertinu daug dalykų Lietuvoje. Ypač įdomūs man pasirodė žmonės. Mano nuomone, tai žmonės - ypač kilę iš kaimo vietovių, kurie sudaro daugumą - giliai įsišakniję skausmo kultūroje. Čia dalinuosi savo pastebėjimais, kurie gali būti neteisingi. Jei mano pastebėjimai neteisingi, prašau juos laikyti išoriniais — užsieniečio iš kitos kultūros žvilgsnio pastebėjimais Pagarba kitam paprastai matuojama laisve : „Kiek toli galiu peržengti savo laisvę, netapdamas problema kitam?“ Lietuvoje šis matas tampa kitu klausimu: „Kiek toli galiu peržengti savo skausmo slenkstį, kad mano skausmas netaptų problema kitam?“ Lietuviška kultūra yra giliai panirusi į skausmo viziją. Taip nutiko dėl daugelio priežasčių, tačiau svarbiausia, mano akimis, yra viena: lietuvis žmogus yra užsidaręs savyje - izoliuota, uždara ir beveik neįveikiama monada. Lietuvis žmogus turi savo tapatybę, bet ją visada sieja su dominuojančia viešąja mintimi. Jis eina savo keliu, bet visada...

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