Skip to main content

An unexpected attraction - the intimation of an encounter






Being a writer nowadays, at this point in human history, takes courage. To spend time writing, to think you can earn a living by writing books, takes courage. He used to repeat it to himself every time he received the cancellation of one of his presentations.
Many people, in his shoes, probably would have drunk to forget the disillusion but he didn't drink. He hated drunk people. He could not understand how you can destroy yourself by drinking alcohol. Such an idiocy.
How many times his courage had changed form during the years, during all those years in which he had written books? Many times, he concluded. He remembered his Florentine season when he lived and worked in Florence. Those had been the years of sex. He was haunted and taunted by sex.
Now he had a wife, he loved her, and his desire for wild sex was gone, it had an almost romantic sex with his wife. The beast that used to inhabit him had become like an amputated limb, a vague but achy memory though, suggested rather than felt.
So he got an insane idea of writing a story about this encounter with the little slut. An encounter that didn't have to happen. He came across this idea because he was wondering whether he was really interested in seducing him. Yes, the idea was enticing him. But it was just an idea. He didn't foresee any action on his part.
He imagined spending a night with him. The sole thinking of that possible action, made him nervous. The intimation that he could have an evening in a very close intimacy with him in the darkness of a cinema made him thrill and triggered again the beast within that never died.
The Florentine season that had been lurking for such a long time was now reviving, unannounced.

TO BE CONTINUED (MAYBE)...


Comments

Popular posts from this blog

Poetry dwells near the divine light's breath

  The comparison between poetry and divine light that we have proposed HERE finds its perfect explanation in Saint Paul, Epistle to the Romans 1:19: τ ὸ γνωστὸν τοῦ θεοῦ φανερόν ἐστιν ἐν αὐτοῖς, ὁ θεὸς γὰρ αὐτοῖς ἐφανέρωσεν — “that which may be known of God has been made manifest in them (in men), for God has manifested it unto them”. Poetry unveils within the human being the need to be human, that is, the need for Beauty, the need to feel Beauty within oneself and alongside oneself; and this feeling is sustained by divine light. Since we are influenced by the Augustinian idea of saeculum , we hold that poetry belongs to the saeculum and therefore comes to a halt upon the threshold of divine light [I] without crossing it, though perceiving the light that lies beyond that threshold. We are led to that threshold by the human feeling of Beauty that dwells within us and guides us to that point: to that door which cannot be crossed in our human condition. And yet, the mere act of stan...

Similarities between Lithuanian, Sanskrit and Ancient Greek: the sigmatic future

by Fabrizio Ulivieri Lithuanian is the most archaic among all the Indo-European languages spoken today, and as a result it is very useful, indeed, indispensable in the study of Indo-European linguistics. The most important fact is that Lithuanian is not only very archaic, but still very much alive, i. e., it is spoken by about three and a half million people. It has a rich tradition in folklore, in literature, and it is used very successfully in all walks of modern life, including the most advanced scientific research. Forced by our interest for this piece of living archaism, we go deeper in our linguistic survey. One of the most noticeable similarities is the future (- sigmatic future -). Lithuanian has preserved a future tense from prehistoric times: it has one single form, e.g. kalbė-siu 'I will speak', etc. kalbė-si kalbė-s kalbė-sime kalbė-site kalbė-s This form kalbėsiu is made from the stem kalbė-(ti) 'to speak', plus the ancient stem-end...

L'ombra del dharma

  Può qualcuno nascondere la verità per tutta la sua vita  e ingannare sé e tutti gli altri?  Vi sono demoni nell'uomo, che vengono di lontano  - per linee di sangue e generazioni che,  se li ascolti, si fanno tuo dharma Se cerco di spiegare quello che eri Devo l' oltre e il prima guardare Dove cause ignote e foschi criteri Erano il karma del tuo andare. Di lí andavi larvato di nulla E mai il volto sincero mostravi. Di silenzio vivevi in una bolla Eppure libero a me sembravi. In pubblico e privato ti scindevi E disprezzavi me a te non pari Ma santo mi apparivi e tu sapevi. Del tuo dharma che adesso appari Eri schiavo - di quel lontano demone Tara remota e senza memoria Che nel sangue ti seguiva epigone E segnava immemore tua la storia.