Breve riflessione sulla poesia sostenuta da due esempi di Sandro Penna

La poesia è il miglior mezzo per esprimere l'umanità profonda del saeculum. La poesia non porta direttamente a Dio, ma porta dentro l'uomo, dentro quelle profondità a cui pochi possono accedere.
Un volto e commuoversi alla sola vista di quel volto è già poesia. Poesia dell'animo, non scritta, ma poesia. Chi si commuove per un volto un gesto, un segno, una parola...ha dentro di sé l'attitudine alla poesia.

Il giorno ha gli occhi di un fanciullo. Chiara
la sera pare una ragazza altera.
Ma la notte ha il mio buio colore,
il colore di un cupo splendore.

La poesia è anche un dialogo in profondità fra il soggetto e la sua cultura, la sua patria, la natura, la terra, il cielo e il mare e ...l'animo umano.
Raramente la poesia è religiosa. raramente si interroga sui temi religiosi, perché appunto la poesia è primariamente uno scandagliare dell'animo umamo, il rivelarsi della profondità dell'animo umano al mondo

Il mare è tutto azzurro.
Il mare è tutto calmo.
Nel cuore è quasi un urlo
di gioia. E tutto è calmo.

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Poetry dwells near the divine light's breath

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Similarities between Lithuanian, Sanskrit and Ancient Greek: the sigmatic future

by Fabrizio Ulivieri Lithuanian is the most archaic among all the Indo-European languages spoken today, and as a result it is very useful, indeed, indispensable in the study of Indo-European linguistics. The most important fact is that Lithuanian is not only very archaic, but still very much alive, i. e., it is spoken by about three and a half million people. It has a rich tradition in folklore, in literature, and it is used very successfully in all walks of modern life, including the most advanced scientific research. Forced by our interest for this piece of living archaism, we go deeper in our linguistic survey. One of the most noticeable similarities is the future (- sigmatic future -). Lithuanian has preserved a future tense from prehistoric times: it has one single form, e.g. kalbė-siu 'I will speak', etc. kalbė-si kalbė-s kalbė-sime kalbė-site kalbė-s This form kalbėsiu is made from the stem kalbė-(ti) 'to speak', plus the ancient stem-end...

My world before and after the so-called Pandemic

Prior to the so-called pandemic, the world was different. I was different. One of my greatest moments of pleasure was visiting unknown cities, lost in the unknown, following an unknown flux of life surrounded by unknown streets and people. I felt invisible. No one knew me, and I knew no one. That gave me a strong sense of pleasure. The pleasure of doing things you usually avoid in places where everyday life, routine, and the fear of showing yourself in a way people are not accustomed to expecting from you. I am not sure what I was looking for in doing this. I remember I felt pushed to search for the essence of that world, as I could physically taste that essence. I was looking for an aura of mystery which could rescue me from my nothingness (I called it nothingness, but now I should call it stupidity—because now I realize what an idiot I was). I hoped for goodness from the world, I hoped for a magic of life, I hoped for an encounter which would be my Saviour, the Savi...

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