Evitate le Cassandre del web che vogliono solo infondere paura e scoramento

Iudico che fortuna sia arbitra della metà delle azioni nostre,
ma che etiam lei ne lasci governare l'altra metà, o presso, a noi.
(Niccolò Machiavelli)

Diffidate delle Cassandre. Il web è pieno di Cassandre, che preannunciano solo sventure, che spesso nemmeno si avverano o se si avverano non sono mai nella misura in cui erano state profetizzate.

Cercate chi vi dà soluzioni, chi vi apre prospettive, che vi indirizza verso l'ottimismo, verso il fare concreto per cambiare.

Che le cose vadano male, che andranno ancora più male lo sappiamo, non vi è bisogno di Cassandre professioniste pagate o per vocazione naturale.

Vedere i mali del mondo non è difficile, non ci vuole molto, più difficile è dare risposte, infondere fiducia, dire alla gente come regire, come sapersi confrontare in modo risolutivo contro le sventure.

In ognuno di noi vi è la possibilità di reagire, di trovare soluzioni alle condizioni avverse. Non siate pigri, imparate ad ascoltare la migliore parte di voi stessi

Evitate i messaggi che vogliono infondere terrore e paura, costruitevi un mondo di luce e di forza.

Leggete e ascoltate solo chi vi dà positività. Spengete TV e radio, smettete di leggere i giornali, buttate via i libri senza senso (il 95% è solo spazzatura).

Pregate se potete e credete.

I benefici della preghiera possono essere immensi. Vanno Oltre il pensabile umano.

La preghiera vi lega a quell'Oltre, e vi mette in comunicazione con Esso.

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Poetry dwells near the divine light's breath

The comparison between poetry and divine light that we proposed HERE finds its perfect explanation in Saint Paul, Letters to the Romans I,19: τὸ γνωστὸν τοῦ θεοῦ φανερόν ἐστιν ἐν αὐτοῖς, ὁ ⸂θεὸς γὰρ αὐτοῖς ἐφανέρωσεν , what can be known of God was manifested to them (in men), indeed God manifested to them. Poetry unveils in the human being the need to be human, i.e.the need for Beauty, for feeling the Beauty in itself and with itself, and this feeling is supported by the divine light. As we are influenced by the idea of Saint Augustine of saeculum , we maintain that poetry belongs to the saeculum and therefore stops on the threshold of the divine light [ I] without crossing that threshold, but it senses the light beyond that threshold. We are taken to that threshold by the human feeling of Beauty within us that leads us up to there: up to that door that it is not possible to cross in our being human, but nevertheless, the very dwelling on that threshold is illuminated by the ve...

Similarities between Lithuanian, Sanskrit and Ancient Greek: the sigmatic future

by Fabrizio Ulivieri Lithuanian is the most archaic among all the Indo-European languages spoken today, and as a result it is very useful, indeed, indispensable in the study of Indo-European linguistics. The most important fact is that Lithuanian is not only very archaic, but still very much alive, i. e., it is spoken by about three and a half million people. It has a rich tradition in folklore, in literature, and it is used very successfully in all walks of modern life, including the most advanced scientific research. Forced by our interest for this piece of living archaism, we go deeper in our linguistic survey. One of the most noticeable similarities is the future (- sigmatic future -). Lithuanian has preserved a future tense from prehistoric times: it has one single form, e.g. kalbė-siu 'I will speak', etc. kalbė-si kalbė-s kalbė-sime kalbė-site kalbė-s This form kalbėsiu is made from the stem kalbė-(ti) 'to speak', plus the ancient stem-end...

My world before and after the so-called Pandemic

Prior to the so-called pandemic, the world was different. I was different. One of my greatest moments of pleasure was visiting unknown cities, lost in the unknown, following an unknown flux of life surrounded by unknown streets and people. I felt invisible. No one knew me, and I knew no one. That gave me a strong sense of pleasure. The pleasure of doing things you usually avoid in places where everyday life, routine, and the fear of showing yourself in a way people are not accustomed to expecting from you. I am not sure what I was looking for in doing this. I remember I felt pushed to search for the essence of that world, as I could physically taste that essence. I was looking for an aura of mystery which could rescue me from my nothingness (I called it nothingness, but now I should call it stupidity—because now I realize what an idiot I was). I hoped for goodness from the world, I hoped for a magic of life, I hoped for an encounter which would be my Saviour, the Savi...

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