À propos de coronavirus in Italy

It is always the same story, when there is a country to be hit in Europe, Italy is the first. The answers can be many, many the narratives, but I believe that Italy is an easy target, since Italians are prone to accept everything; there are no rebellions, no riots, no insurgences but only passive acceptance in this land. Italy historically has been a mere geographical expression unable to cope with the strength of far more virile peoples, if not by using deception, betrayal, turnaround, and the most squalid machiavellism. Italy has never been a real State since the fall of Roman Empire.

Gli italiani non hanno palle* this is the hard truth. Those who had le palle and sense of honour have been killed and exterminated during the First and Second World War, and the survivors were brainwashed through the occupation of the key posts in the Italian state structures by a silent army of leftist organic intellectuals, which in name of a globalist politically correct distopia have completely depallizzato** the Italian Spirit, if any.

*Italians don't have guts
** they have removed the virile pride

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Poetry dwells near the divine light's breath

The comparison between poetry and divine light that we have proposed HERE finds its perfect explanation in Saint Paul, Epistle to the Romans 1:19: τ ὸ γνωστὸν τοῦ θεοῦ φανερόν ἐστιν ἐν αὐτοῖς, ὁ θεὸς γὰρ αὐτοῖς ἐφανέρωσεν — “that which may be known of God has been made manifest in them (in men), for God has manifested it unto them”. Poetry unveils within the human being the need to be human, that is, the need for Beauty, the need to feel Beauty within oneself and alongside oneself; and this feeling is sustained by divine light. Since we are influenced by the Augustinian idea of saeculum , we hold that poetry belongs to the saeculum and therefore comes to a halt upon the threshold of divine light [I] without crossing it, though perceiving the light that lies beyond that threshold. We are led to that threshold by the human feeling of Beauty that dwells within us and guides us to that point: to that door which cannot be crossed in our human condition. And yet, the mere act of stan...

Similarities between Lithuanian, Sanskrit and Ancient Greek: the sigmatic future

by Fabrizio Ulivieri Lithuanian is the most archaic among all the Indo-European languages spoken today, and as a result it is very useful, indeed, indispensable in the study of Indo-European linguistics. The most important fact is that Lithuanian is not only very archaic, but still very much alive, i. e., it is spoken by about three and a half million people. It has a rich tradition in folklore, in literature, and it is used very successfully in all walks of modern life, including the most advanced scientific research. Forced by our interest for this piece of living archaism, we go deeper in our linguistic survey. One of the most noticeable similarities is the future (- sigmatic future -). Lithuanian has preserved a future tense from prehistoric times: it has one single form, e.g. kalbė-siu 'I will speak', etc. kalbė-si kalbė-s kalbė-sime kalbė-site kalbė-s This form kalbėsiu is made from the stem kalbė-(ti) 'to speak', plus the ancient stem-end...

L'ombra del dharma

Può qualcuno nascondere la verità per tutta la sua vita e ingannare sé e tutti gli altri? Vi sono demoni nell'uomo, che vengono di lontano - per linee di sangue e generazioni che, se li ascolti, si fanno tuo dharma Se cerco di spiegare quello che eri Devo l' oltre e il prima guardare Dove cause ignote e foschi criteri Erano il karma del tuo andare. Di lí andavi larvato di nulla E mai il volto sincero mostravi. Di silenzio vivevi in una bolla Eppure libero a me sembravi. In pubblico e privato ti scindevi E disprezzavi me a te non pari Ma santo mi apparivi e tu sapevi. Del tuo dharma che adesso appari Eri schiavo - di quel lontano demone Tara remota e senza memoria Che nel sangue ti seguiva epigone E segnava immemore tua la storia.

Fabrizio Ulivieri - Content Creator

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