Pavydas ir Meilė - Gelosia e amore

Pavydas
Pavydas yra jėga, kuri juda spirale iš centro ir praryja centrą, po to periferija sugrįžta į centrą stipresnis nei anksčiau.

Gelosia
La gelosia è una forza che si muove a spirale dal centro e divora il centro e poi la periferia per ritornare al centro più forte di prima.

Pavydo kalba
Kokia yra pavydo kalba? Intriguojanti? Aštri? Sudėtinga? Įtari? Tai tikrai kalba, kuri ryja tuos, kurie ją naudoja.

La lingua della gelosia
Com'è la lingua della gelosia? intrigante? tagliente? macchinosa? indagante? sospettosa? è sicuramente una lingua che divora chi la usa.

Pavydas ir įtarimas
Pavydas neegzistuoja be įtarimo. Įtarimas atveria duris pavydui Meilė neigia įtarimą. Meilė klesti dėl pasitikėjimo. Įtarimas pakerta pasitikėjimą ir tada atidaro duris pavydui.
Ir meilė miršta.

Gelosia e Sospetto
Gelosia non esiste senza Sospetto. Sospetto apre le porte a Gelosia. Amore rinnega Sospetto. Amore vive di Fiducia. Sospetto mina prima Fiducia e apre poi le porte a Gelosia.
E amore muore.

Pavydas ir žvilgsnis

Medeos pavydas pagimdė nužudymą, taip pat kaip ir Otelo pavydas.
Abudu turėjo žvilgsnį, išduodantį siaubą, kuris gyveno jų sielose.

Gelosia e sguardo
La gelosia di Medea generò l'omicidio, quella di Otello anche. Entrambi avevano uno sguardo che tradiva l'orrore che vivevano dentro il loro animo

Comments

Poetry dwells near the divine light's breath

The comparison between poetry and divine light that we proposed HERE finds its perfect explanation in Saint Paul, Letters to the Romans I,19: τὸ γνωστὸν τοῦ θεοῦ φανερόν ἐστιν ἐν αὐτοῖς, ὁ ⸂θεὸς γὰρ αὐτοῖς ἐφανέρωσεν , what can be known of God was manifested to them (in men), indeed God manifested to them. Poetry unveils in the human being the need to be human, i.e.the need for Beauty, for feeling the Beauty in itself and with itself, and this feeling is supported by the divine light. As we are influenced by the idea of Saint Augustine of saeculum , we maintain that poetry belongs to the saeculum and therefore stops on the threshold of the divine light [ I] without crossing that threshold, but it senses the light beyond that threshold. We are taken to that threshold by the human feeling of Beauty within us that leads us up to there: up to that door that it is not possible to cross in our being human, but nevertheless, the very dwelling on that threshold is illuminated by the ve...

Similarities between Lithuanian, Sanskrit and Ancient Greek: the sigmatic future

by Fabrizio Ulivieri Lithuanian is the most archaic among all the Indo-European languages spoken today, and as a result it is very useful, indeed, indispensable in the study of Indo-European linguistics. The most important fact is that Lithuanian is not only very archaic, but still very much alive, i. e., it is spoken by about three and a half million people. It has a rich tradition in folklore, in literature, and it is used very successfully in all walks of modern life, including the most advanced scientific research. Forced by our interest for this piece of living archaism, we go deeper in our linguistic survey. One of the most noticeable similarities is the future (- sigmatic future -). Lithuanian has preserved a future tense from prehistoric times: it has one single form, e.g. kalbė-siu 'I will speak', etc. kalbė-si kalbė-s kalbė-sime kalbė-site kalbė-s This form kalbėsiu is made from the stem kalbė-(ti) 'to speak', plus the ancient stem-end...

My world before and after the so-called Pandemic

Prior to the so-called pandemic, the world was different. I was different. One of my greatest moments of pleasure was visiting unknown cities, lost in the unknown, following an unknown flux of life surrounded by unknown streets and people. I felt invisible. No one knew me, and I knew no one. That gave me a strong sense of pleasure. The pleasure of doing things you usually avoid in places where everyday life, routine, and the fear of showing yourself in a way people are not accustomed to expecting from you. I am not sure what I was looking for in doing this. I remember I felt pushed to search for the essence of that world, as I could physically taste that essence. I was looking for an aura of mystery which could rescue me from my nothingness (I called it nothingness, but now I should call it stupidity—because now I realize what an idiot I was). I hoped for goodness from the world, I hoped for a magic of life, I hoped for an encounter which would be my Saviour, the Savi...

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