Skip to main content

Taeko and Ayako - My Alien Lovers

The men of yesterday are gone, and it is doubtful whether those alive today will still be here tomorrow. The destiny of a single man scarcely allows time for a single breath
(Hojo Shigetoki)



The first time I met Taeko I was struck by the firmness of her breasts. She sat bolt upright on a horse. I admired her martial beauty as she cleared fence after fence, her posture oddly unyielding. Her generous breasts stood firm, immovable, like marble to my eyes.


When I encountered her in the flesh it was her face that intrigued me. She smiled vacantly. Two deep, sweet eyes laughed in unison with her mouth. The light was so intense I had to look away. Her face was like a porcelain mask – polished, polished to a sheen that seemed to deny its own life.

When I was introduced, it was Ayako who offered a compliment:

- Pretty dress. I like it to death.

I did not catch Taeko’s reply, for at that moment the announcer proclaimed the entry of another rider into the arena. Show jumping was a sport unknown to me, alien in the same way as Taeko’s reputation, which had drawn me there. She had been described with precision as a woman of unusual tastes:

- Do not be deceived by her apparent lack of personality, I had been warned. She is a strong girl, though she is almost entirely without malice. At first she may seem dull, but she is not. She lacks any inclination towards passing enthusiasms. She does not display the passions she harbours within. She acts as though she has none.

That phrase  - lacks any inclination towards passing enthusiasms - struck me like a wake‑up call. Then I saw those breasts, incapable of swaying, and I understood at once her essence. She was held by an invisible rope. That rope stretched far above, vanishing into space, tethered to a distant star that had given her life. She lived suspended, sustained by a power not her own.

Her smooth face, like a porcelain cup, her marble‑hard breasts - they embodied the light that fell from that star, barely contained as she collapsed upon this planet. That far light had thrust her down to earth, tightening the rope, forbidding any return to her distant and unattainable origin.


Ayako, unlike Taeko, was a heedless girl. She possessed an innate sensuality, yes, but she was alien to rigid codes of conduct. She was incapable of any form of literary reasoning, of logic, of art, of moral commitment. She loved diversion and provocation, and she lived by them.
A man loved by Ayako would surely have profited from that sensual, aesthetic way of inhabiting the world.

Ayako had grown up in a house of women. It was steeped in giggles, whispers, and hypocrisy. For her, hypocrisy was the normal way of being in the world. To be hypocritical was not a fault. She knew no other way of being.
That gynaeceum had certainly endowed her with an innate taste for food, clothing, and opera. Perhaps it was her father who had shaped her disposition for opera and bel canto.
From childhood, she had taken singing lessons, and more than once she had travelled to Italy to study the technique of lyrical singing.

She had no ambitions.
Was that a fault?

If one had to define her, she could be described not as beautiful, but as refined and seductive.
Men often prefer refined and seductive women to women who are simply beautiful.
She had a fiancé, and he had always been the same one, since secondary school. Tatsuya. A muscular, unripe youth.
Although Ayako was always surrounded by suitors, and although hypocrisy was her natural state, she remained faithful to Tatsuya.

Yet she loved handsome, youthful men. Above all she loved men without ambition. Like Tatsuya.
Fat men appeared to her grotesque and incomprehensible. Especially those devoted to study and politics: she found them tedious and contemptible. Those full of ambition she considered little better than degenerates.

Unlike Taeko, she was a woman of this earth. She was not moved by invisible strings, but by the fire of this planet smouldering beneath the crust thousands of kilometres below the surface.
If Taeko was cerebral, Ayako was visceral. She lived life first and foremost with her belly, disinclined as she was to speculation.
She knew it. She knew she was different from Taeko. For this reason she had no ambitions. She was daughter of humble earth.

She was in love. In love with herself. She felt within her the fire of the earth burning, keeping her alive regardless of her being.

Comments

Popular posts from this blog

Poetry dwells near the divine light's breath

  The comparison between poetry and divine light that we have proposed HERE finds its perfect explanation in Saint Paul, Epistle to the Romans 1:19: τ ὸ γνωστὸν τοῦ θεοῦ φανερόν ἐστιν ἐν αὐτοῖς, ὁ θεὸς γὰρ αὐτοῖς ἐφανέρωσεν — “that which may be known of God has been made manifest in them (in men), for God has manifested it unto them”. Poetry unveils within the human being the need to be human, that is, the need for Beauty, the need to feel Beauty within oneself and alongside oneself; and this feeling is sustained by divine light. Since we are influenced by the Augustinian idea of saeculum , we hold that poetry belongs to the saeculum and therefore comes to a halt upon the threshold of divine light [I] without crossing it, though perceiving the light that lies beyond that threshold. We are led to that threshold by the human feeling of Beauty that dwells within us and guides us to that point: to that door which cannot be crossed in our human condition. And yet, the mere act of stan...

Similarities between Lithuanian, Sanskrit and Ancient Greek: the sigmatic future

by Fabrizio Ulivieri Lithuanian is the most archaic among all the Indo-European languages spoken today, and as a result it is very useful, indeed, indispensable in the study of Indo-European linguistics. The most important fact is that Lithuanian is not only very archaic, but still very much alive, i. e., it is spoken by about three and a half million people. It has a rich tradition in folklore, in literature, and it is used very successfully in all walks of modern life, including the most advanced scientific research. Forced by our interest for this piece of living archaism, we go deeper in our linguistic survey. One of the most noticeable similarities is the future (- sigmatic future -). Lithuanian has preserved a future tense from prehistoric times: it has one single form, e.g. kalbė-siu 'I will speak', etc. kalbė-si kalbė-s kalbė-sime kalbė-site kalbė-s This form kalbėsiu is made from the stem kalbė-(ti) 'to speak', plus the ancient stem-end...

L'ombra del dharma

  Può qualcuno nascondere la verità per tutta la sua vita  e ingannare sé e tutti gli altri?  Vi sono demoni nell'uomo, che vengono di lontano  - per linee di sangue e generazioni che,  se li ascolti, si fanno tuo dharma Se cerco di spiegare quello che eri Devo l' oltre e il prima guardare Dove cause ignote e foschi criteri Erano il karma del tuo andare. Di lí andavi larvato di nulla E mai il volto sincero mostravi. Di silenzio vivevi in una bolla Eppure libero a me sembravi. In pubblico e privato ti scindevi E disprezzavi me a te non pari Ma santo mi apparivi e tu sapevi. Del tuo dharma che adesso appari Eri schiavo - di quel lontano demone Tara remota e senza memoria Che nel sangue ti seguiva epigone E segnava immemore tua la storia.