Skip to main content

El ser humano interiormente es amarrado a la luz y a la verdad





Es asunto fundamental de la escritora chilena Nona Fernandez (en su novela "Voyager") que lo que somos, es en realidad el resultado de una infinita historia de vínculos morales, afectivos, espirituales y de carne también que tiene su origen desde el inicio del cosmo hasta el presente. Y Fernandez trata bastante bien el sujeto.

Su asunto entonces es consiguiente y por eso hace nos reflexionar sobre el relato de la Génesis, es decir, que al principio del universo hay la creación y si la creación está en relación con la luz a raíz de eso se puede decir que nuestro origin es un origen de luz. El ser humano es un ser compuesto porque lo que es indistinto no es compuesto, Y la luz (fiat lux) fue lo que separò lo que era indistinto (terra autem erat inanis et vacua, et tenebrae super faciem abyssi, et spiritus Dei ferebatur super aquas) para hacerlo distinto (et vidit Deus lucem quod esset bona et divisit Deus lucem ac tenebras. Appellavitque Deus lucem Diem et tenebras Noctem. Factumque est vespere et mane).
Y siendo así el ser humano tiene un origen de luz porque la luz es causa de la distinción.
Lo mismo apóstol Paulo confirma eso, que somos hijos de la luz : Omnes enim vos filii lucis estis, et filii diei; non sumus noctis neque tenebrarum.
Luz y verdad están amarrados. La búsqueda de la luz es la búsqueda de la verdad y viceversa.
En cada ser humano hay luz y verdad y la sed de verdad y de luz albergan en cada ser. Todavía la mayoría es estructuralmente incapaz de mirar en sí mismo y a la luz interior, porque son más estructurados a vivir en la tinieblas y en las mentiras, y lo prefieren también.
Y esto provoca la llegada total de las tinieblas porque el ser humano abandona el camino de la luz o del amor de Dios y queda condenado a las tinieblas, como señala San Agustín: scientia creaturae in comparatione scientiae Creatoris quodam modo vesperascit, itemque lucescit et mane fit, cum et ipsa refertur ad laudem dilectionemque Creatoris; nec in noctem vergitur, ubi non Creator creaturae dilectione relinquitur. [1] 

------------------------

[1] El conocimiento del ser humano en comparación con el conocimiento del Creador tiende a convertirse en tinieblas [vesperascit]. Se convierte pero en aurora y mañana [i.e.luz] cuando el mismo conocimiento del ser humano se convierte en alabanza y amor hacia el Creador: [nunca] se convierte en noche cuando el Creador no es abandonado por su amor  hacia el ser humano. (De Civitate Dei, XI. 7)

Comments

Popular posts from this blog

Fasting to reconnect your "Self" to your body

If there is a discrepancy between yourself and the body, between what you are and what you don't feel you are in your body, then fast, because there is excess to remove in the body. Through the stratifications of fat, the material that alienates you is deposited in the body. Removing decades of fat you remove the "Self" from its impediments to be reconnected with the body. Start thinking about fasting and wait for the right moment. Your body has its own indicators; it will signal when it is the right time to start fasting. Fasting is not a mere physical fact. It is changing the spirit of a time that has become stranger to us and that lives in us in order to alienate us to ourselves. Impossible to fast, without implying a change of the inner spirit. Those who fasted in the Old Testament did so to invoke great changes in life. Jesus himself fasted for forty nights and forty days and after fasting he was ready and strong enough to resist the devil and was ripe for his minist...

Poetry dwells near the divine light's breath

  The comparison between poetry and divine light that we proposed HERE finds its perfect explanation in Saint Paul, Letters to the Romans I,19: τὸ γνωστὸν τοῦ θεοῦ φανερόν ἐστιν ἐν αὐτοῖς, ὁ ⸂θεὸς γὰρ αὐτοῖς ἐφανέρωσεν , what can be known of God was manifested to them (in men), indeed God manifested to them. Poetry unveils in the human being the need to be human, i.e.the need for Beauty, for feeling the Beauty in itself and with itself, and this feeling is supported by the divine light. As we are influenced by the idea of Saint Augustine of saeculum , we maintain that poetry belongs to the saeculum and therefore stops on the threshold of the divine light [ I] without crossing that threshold, but it senses the light beyond that threshold. We are taken to that threshold by the human feeling of Beauty within us that leads us up to there: up to that door that it is not possible to cross in our being human, but nevertheless, the very dwelling on that threshold is illuminated by the ve...

Similarities between Lithuanian, Sanskrit and Ancient Greek: the sigmatic future

by Fabrizio Ulivieri Lithuanian is the most archaic among all the Indo-European languages spoken today, and as a result it is very useful, indeed, indispensable in the study of Indo-European linguistics. The most important fact is that Lithuanian is not only very archaic, but still very much alive, i. e., it is spoken by about three and a half million people. It has a rich tradition in folklore, in literature, and it is used very successfully in all walks of modern life, including the most advanced scientific research. Forced by our interest for this piece of living archaism, we go deeper in our linguistic survey. One of the most noticeable similarities is the future (- sigmatic future -). Lithuanian has preserved a future tense from prehistoric times: it has one single form, e.g. kalbė-siu 'I will speak', etc. kalbė-si kalbė-s kalbė-sime kalbė-site kalbė-s This form kalbėsiu is made from the stem kalbė-(ti) 'to speak', plus the ancient stem-end...