Skip to main content

From "Love, šaltibarščiai and red tomatoes" - The black days




Her favorite place in the house was the kitchen. In the kitchen she spent her days: she read, she prepared the dinner, she made calls, she wrote emails, she worked and cried, she laughed and thought.
In the kitchen we made love, often.
The kitchen was full of her self unlike any other part of the house.
There (in the kitchen) she had erected her inner sanctuary, fortified her self and learned to esteem and trust in herself or how pleasurable was to torture herself on questions that could not be answered.
She never wanted to share that space even with me.
She housed me in that space but it remained exclusively hers.

From every other space she excluded me in the black days of menstruation. Who was in those days the hidden Demiurge that broke the world and the space surrounding her? Did that Spirit decide for her and spoke for her?
In those days it seemed that every thought of her mind had already been decided in spite of her will . Her thoughts no longer were direct to me but aimed to the depths of her own self unable to decipher any kind of reason.
Those were the days when she once again savoured a childhood in which she had never decided anything.

- My childhood in Klaipeda was very poor, I lived in a house without heating. The temperature that was outside was inside. There was almost nothing to eat. The best dish my mother served was šaltibarščiai. This is why I still love this soup. It's the taste of my poor childhood.
I could see from her eyes that still kept tracks of it.
It seemed  like a childhood that has never passed whenever she ate šaltibarščiai.
I wondered what I loved in those days that menstruation altered Austėja's perceptive state.
I didn't see perfection, I was madly in love but I did not see perfection in her.

I could solely imagine her life as a prelude to a search just made of fatigue that was trying to find a direction. But it was life indeed, an intense desire to live that I realized was not denying life itself, despite her claim to be desperate.
As Ričardas gavelis says in Vilniaus Pokeris "In days like these, lighter things weigh more than heavy and [...] show directions for which there is no name".

Comments

Popular posts from this blog

Fasting to reconnect your "Self" to your body

If there is a discrepancy between yourself and the body, between what you are and what you don't feel you are in your body, then fast, because there is excess to remove in the body. Through the stratifications of fat, the material that alienates you is deposited in the body. Removing decades of fat you remove the "Self" from its impediments to be reconnected with the body. Start thinking about fasting and wait for the right moment. Your body has its own indicators; it will signal when it is the right time to start fasting. Fasting is not a mere physical fact. It is changing the spirit of a time that has become stranger to us and that lives in us in order to alienate us to ourselves. Impossible to fast, without implying a change of the inner spirit. Those who fasted in the Old Testament did so to invoke great changes in life. Jesus himself fasted for forty nights and forty days and after fasting he was ready and strong enough to resist the devil and was ripe for his minist...

Poetry dwells near the divine light's breath

  The comparison between poetry and divine light that we proposed HERE finds its perfect explanation in Saint Paul, Letters to the Romans I,19: τὸ γνωστὸν τοῦ θεοῦ φανερόν ἐστιν ἐν αὐτοῖς, ὁ ⸂θεὸς γὰρ αὐτοῖς ἐφανέρωσεν , what can be known of God was manifested to them (in men), indeed God manifested to them. Poetry unveils in the human being the need to be human, i.e.the need for Beauty, for feeling the Beauty in itself and with itself, and this feeling is supported by the divine light. As we are influenced by the idea of Saint Augustine of saeculum , we maintain that poetry belongs to the saeculum and therefore stops on the threshold of the divine light [ I] without crossing that threshold, but it senses the light beyond that threshold. We are taken to that threshold by the human feeling of Beauty within us that leads us up to there: up to that door that it is not possible to cross in our being human, but nevertheless, the very dwelling on that threshold is illuminated by the ve...

Similarities between Lithuanian, Sanskrit and Ancient Greek: the sigmatic future

by Fabrizio Ulivieri Lithuanian is the most archaic among all the Indo-European languages spoken today, and as a result it is very useful, indeed, indispensable in the study of Indo-European linguistics. The most important fact is that Lithuanian is not only very archaic, but still very much alive, i. e., it is spoken by about three and a half million people. It has a rich tradition in folklore, in literature, and it is used very successfully in all walks of modern life, including the most advanced scientific research. Forced by our interest for this piece of living archaism, we go deeper in our linguistic survey. One of the most noticeable similarities is the future (- sigmatic future -). Lithuanian has preserved a future tense from prehistoric times: it has one single form, e.g. kalbė-siu 'I will speak', etc. kalbė-si kalbė-s kalbė-sime kalbė-site kalbė-s This form kalbėsiu is made from the stem kalbė-(ti) 'to speak', plus the ancient stem-end...